Artist of the week 76: Chiharu Shiota

Artist Chiharu Shiota’s labyrinthine installations weave a complex web from waking life and fading memories

Chiharu Shiota is a spider-woman – one who clambers around in the skeins of our unconscious. In her best-known installations she weaves black yarn into hectic webs that take over entire galleries and in which personal objects are found cocooned. The Japanese Berlin-based artist has ensnared everything from the wedding dresses seen in last year’s Walking in My Mind exhibition at the Hayward gallery, to a grand piano and childhood toys. In one of her sleeping performances, you might even find Shiota herself ensconced beneath layers of mesh.

Born in Osaka, the artist moved from Japan to Germany in 1997, to study under the performance art maven Marina Abramović. For one of her early works, Try and Go Home of 1998, Shiota fasted for four days and then smeared her naked body with earth before taking to a muddy hole. With its suggestions of both womb and grave, the work hinged on feelings of loss and oblivion that have underscored much of her work since. A later installation first shown in 2000, Memory of Skin, featured similarly dirt-stained dresses, suggesting knowledge that won’t wash off.

Personal experience is central to Shiota’s work. For a project initially staged as Dialogue from DNA in 2004 in Poland and then recreated in Germany and Japan, she invited people to donate footwear with a memory attached – resulting in thousands of old shoes, many of which had belonged to loved ones who had died. She attached each to a taut red thread, a symbol of the path through life as well as the imprint of journeys taken.

There’s a similar push and pull between closeness and separation in her sleeping performances, where women doze on neatly arranged hospital beds beneath a canopy of black threads. However intimate watching these people sleep might have felt, the artist implies that we can never know what’s going on behind their closed eyes.

“It would be nice to banish every trace of myself, my looks, my papers, my passport, and even my fingerprints,” Shiota has said, “and only create my works in dialogue with the cosmos.” While exploring the hinterlands between waking life and dream states and chasing fading memories, in Shiota’s labyrinthine installations the passage into oblivion always feels close at hand.

Why we like her: One Place, currently on show in London, features hundreds of old glass windows taken from East Berlin building sites. Stacked to the ceiling in cathedral-like domes, they draw out a spiritual dimension to relics from the communist era.

Sound of silence: When Shiota was nine years old her neighbour’s house burned down; the following day the artist saw a charred piano amongst the ruins. This instrument that lost its sound has haunted the artist and inspired various works in which she sets alight to a grand piano, then displays the remains within an installation of black thread.

Where can I see her: Chiharu Shiota, One Place, is at Haunch of Venison, London until 27 March.

 

guardian.co.uk © Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

 

SourcedFrom The artist says: Thanks for reading my contemporary art blog! If you are involved in the art and culture industry in any way, and would like to syndicate content from or to this blog, or if you simply enjoy art and would like to get in touch, please leave a comment! This article has been kindly provided by: Art and design: Art | guardian.co.uk

Posted by admin   @   26 February 2010
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Feb 28, 2010
12:07 pm
#1 JemmaBarks :

Half of my IT is done :) yay only art, other half of IT, fench and history left :(

Feb 28, 2010
12:10 pm
#2 mikesorgatz :

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Feb 28, 2010
9:18 pm
#3 arts_book :

Rethinking the Contemporary Art School: The Artist, the PhD and the Academy. http://j.mp/ax3faI

Mar 1, 2010
9:18 am
#4 NELLYWAITS :

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Mar 1, 2010
9:17 pm
#5 myhandmadegifts :

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Mar 2, 2010
9:17 am
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Mar 5, 2010
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Mar 5, 2010
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Mar 5, 2010
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Mar 6, 2010
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Past (art) Contributors for the May/June issue have already been accepted/confirmed/proofed with the exception of… http://bit.ly/dzQEmZ

Mar 6, 2010
7:59 am
#11 hanhtran912 :

I really like Art for my career but I think for my college major I should choose Communications or International Business

Mar 6, 2010
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Mar 6, 2010
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Mar 8, 2010
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Mar 8, 2010
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Mar 11, 2010
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Mar 27, 2010
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Mar 28, 2010
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Mar 28, 2010
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Mar 30, 2010
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what the art.didn’t say was these crazies took cover under this militia–but close enough! thanks 4 tweeting it!

Mar 30, 2010
10:19 pm
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Mar 31, 2010
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Why Art Matters is a twitter feed about my thoughts on art and why it matters. This maybe educational even. Right? 1st thought soon.

Mar 31, 2010
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Apr 1, 2010
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Apr 1, 2010
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Apr 3, 2010
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Apr 3, 2010
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Art in April: Artists in Hospitals|WEB EXCLUSIVE : Local artist Ian Cion talks about the process of creating an .. http://oohja.com/xa7Ml

Apr 5, 2010
10:22 am
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Apr 5, 2010
10:20 pm
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“It has been said that Carl Dreyer’s art begins to unfold just at the point where most directors give up” – Pauline Kael

Apr 6, 2010
10:21 am
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Apr 6, 2010
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Apr 7, 2010
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Apr 8, 2010
10:20 pm
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Apr 10, 2010
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listened 2 ur interview again; agree 100% w/ur comments re downside of in-camera HDR processing. I kinda like 2 work 4 my art!

Apr 10, 2010
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agreed. Been pretty disappointed with the quality of a lot of music-related art in the last few years…

Apr 11, 2010
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Apr 11, 2010
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Apr 12, 2010
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Apr 12, 2010
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Apr 13, 2010
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Apr 13, 2010
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Apr 14, 2010
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Apr 14, 2010
10:22 pm
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Apr 15, 2010
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Apr 15, 2010
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Apr 16, 2010
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Apr 17, 2010
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Apr 18, 2010
10:18 am
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Obsessing over clip art pics for my slide deck.

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